Items
| Item | Artist | Medium | Category |
|---|---|---|---|
 1512Collision at warp speed - dated 1997 (Item 1512) |
Bisley, Simon | acrylics | Comic Art, Paintings |
 1513Space craft orbiting planet - dated 1996 (Item 1513) |
Bisley, Simon | acrylics | Comic Art, Paintings |
 1524FAKK2 image - Cyborg with skull staff. (Item 1524) |
Bisley, Simon | acrylics | Comic Art, Paintings |
 1529Original cover art for Batman/Judge Dredd: Judgement on Gotham (DC, 1991) (see 1529_2 to view prelim image on reverse side) (Item 1529) |
Bisley, Simon | acrylics | Comic Art, Paintings |
 1529_2Original cover art prelim for Batman/Judge Dredd: Judgement on Gotham (DC, 1991) (to 1529 to view final image on reverse side) (Item 1529_2) |
Bisley, Simon | ink & watercolor | Comic Art, Paintings |
 1531Image of hairy green beast attacking a man with axe and shield - dated 1996 (Item 1531) |
Bisley, Simon | acrylics | Comic Art, Paintings |
 16997Image of "Nude Blond" - acrylics on canvas, undated (Item 16997) |
Nan, Jiang | acrylics | Paintings |
 16998Alibi v1 #4 pulp cover art featuring a woman's gag being removed by her kidnapper. From the estate of Charles Martignette. (Ace, April 1934) (Item 16998) |
Anderson, Lyman | oil painting | Comic Art, Paintings |
 16999Oil on board based on a Kuppenheimer Clothing illustration by J. C. Leyendecker. From the estate of Charles Martignette - undated (Item 16999) |
After J. C. Leyendecker | oil painting | Comic Art, Paintings |
 17000Arrow Shirt Company advertising illustration. Oil on canvas. From the estate of Charles Martignette - undated (Item 17000) |
Leyendecker, Joseph. C. | oil painting | Comic Art, Paintings |
 1735Original illustration art for the Saturday Evening Post story, "The Phantom Batman" - dated Feb. 29, 1960 (Item 1735) |
D'Andrea, Bernard | gouache | Comic Art, Paintings |
 1739Original illustration art for the Saturday Evening Post story, "The Sea Gives Up its Dead" - circa 1960 (Item 1739) |
D'Andrea, Bernard | oil painting | Comic Art, Paintings |
 17401...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | ink and watercolor on paper | Paintings |
 17402...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
 17403...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
 17404...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | color markers on paper | Paintings |
 17405...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | pencil and watercolor on paper | Paintings |
 17407...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
 17408...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor and color pencil on paper | Paintings |
 17409...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
 17411...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
 17412...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
 17413...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
 17414...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
 17415...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |