Items
Item | Artist | Medium | Category |
---|---|---|---|
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor and color pencil on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | pencil and watercolor on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | color markers on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | watercolor on paper | Paintings |
![]() ...rovide him a comfortable income.Yet after the 1970s he apparently made virtually no attempts to sell or even show his astonishingly creative paintings and drawings. Mazur's notes reveal that he did not wish for the public to know his works while he lived for fear of losing his privacy. He ... |
Mazur, Zygmunt | ink and watercolor on paper | Paintings |
![]() Original illustration art for the Saturday Evening Post story, "The Sea Gives Up its Dead" - circa 1960 (Item 1739) |
D'Andrea, Bernard | oil painting | Comic Art, Paintings |
![]() Original illustration art for the Saturday Evening Post story, "The Phantom Batman" - dated Feb. 29, 1960 (Item 1735) |
D'Andrea, Bernard | gouache | Comic Art, Paintings |
![]() Arrow Shirt Company advertising illustration. Oil on canvas. From the estate of Charles Martignette - undated (Item 17000) |
Leyendecker, Joseph. C. | oil painting | Comic Art, Paintings |
![]() Oil on board based on a Kuppenheimer Clothing illustration by J. C. Leyendecker. From the estate of Charles Martignette - undated (Item 16999) |
After J. C. Leyendecker | oil painting | Comic Art, Paintings |
![]() Alibi v1 #4 pulp cover art featuring a woman's gag being removed by her kidnapper. From the estate of Charles Martignette. (Ace, April 1934) (Item 16998) |
Anderson, Lyman | oil painting | Comic Art, Paintings |
![]() Image of "Nude Blond" - acrylics on canvas, undated (Item 16997) |
Nan, Jiang | acrylics | Paintings |
![]() Image of hairy green beast attacking a man with axe and shield - dated 1996 (Item 1531) |
Bisley, Simon | acrylics | Comic Art, Paintings |
![]() Original cover art for Batman/Judge Dredd: Judgement on Gotham (DC, 1991) (see 1529_2 to view prelim image on reverse side) (Item 1529) |
Bisley, Simon | acrylics | Comic Art, Paintings |
![]() Original cover art prelim for Batman/Judge Dredd: Judgement on Gotham (DC, 1991) (to 1529 to view final image on reverse side) (Item 1529_2) |
Bisley, Simon | ink & watercolor | Comic Art, Paintings |
![]() FAKK2 image - Cyborg with skull staff. (Item 1524) |
Bisley, Simon | acrylics | Comic Art, Paintings |
![]() Space craft orbiting planet - dated 1996 (Item 1513) |
Bisley, Simon | acrylics | Comic Art, Paintings |
![]() Collision at warp speed - dated 1997 (Item 1512) |
Bisley, Simon | acrylics | Comic Art, Paintings |
![]() FAKK2 image from Heavy Metal magazine dated 1996 - blue creature in pointed hat (Item 1511) |
Bisley, Simon | acrylics | Comic Art, Paintings |
![]() "Dhiammara" original cover art for the last book in the Aurian saga (Bantam Books, 1997 (Item 14362) |
Assael, Steven James | oil painting | Paintings |